“Dante will seduce you. It’s Boccaccio who saves him for us » – Corriere.it

from Aldo Cazzullo

Within the cinema with the director of a movie that was the results of braveness and purity: «I felt insufficient, I studied 20 years however I managed. The Poet as a human being I believe I guessed it”

It takes braveness and purity to make a movie about Dante.

In the course of the seven hundred years because the demise of the best poet that not solely Italy however humanity has ever had, TV has executed nothing. Completely nothing. Cinema, the fiction business: nothing.
Dante would not care. Or moderately, it scares. It makes you lose strikes (otherwise you assume it makes them lose). It isn’t simply the previous rule that the entrepreneur who has invested within the public’s dangerous style has by no means misplaced his cash. It is simply that Dante is taken into account difficult; whereas in actuality it’s profound.
To take him to the cinema it was needed the braveness and purity of Pupi Avati. Not angelic purity: within the movie Beatrice seems bare, as in Dante’s evening imaginative and prescient; and Dante makes like to a prostitute (in spite of everything, Boccaccio defines him as “lustful”: he was very fond of ladies and had a number of tales throughout exile through which he was not adopted by his spouse). However religious purity. Love for poetry. Capacity to apprehend the poet’s “mysterious grandeur”, or no less than be fascinated by it.

THE RELATIONSHIP BETWEEN THE TWO POETS IS AVATI’S MAIN INTUITION: “I DELEGATED THE STORY TO BOCCACCIO, ABOUT DANTE THINKS AS I DO”

Pupi Avati explains, within the room the place we watch collectively his movie entitled exactly Dante – in cinema from 29 September – that the dearth of braveness of others doesn’t scandalize him, quite the opposite. “Dante communicates to everybody a sense of inadequacy. He creates inferiority complexes, and rightly so. He opens a distance to his omniscience, to his poetic extra, to his thriller. I attempted to make Dante alluring. And for that I studied for twenty years”.
The movie, says the director, needed to be made in 2002. “I already had a contract with Rai, signed with Giancarlo Leone. But when the tables are at all times the identical, individuals change; and so they not needed something to do with Dante». In the meantime, Pupi Avati continued to consider it. To work on it. And to put in writing about it.


The movie was born from the gorgeous novel that the director revealed by Solferino, Excessive fantasy. Boccaccio’s journey to find Dante. And, just like the guide, the movie additionally stitches collectively three tales, makes use of three registers to inform the poet’s life.
The primary is his youthful ardour for Beatrice, reconstructed by the voice of Dante, who speaks to us by the New life and his shifting love sonnets.
The second is the genesis of Hell; and after we see Dante rummaging by the sheet from which he by no means parted, which he wore tied to his chest and unfolded the evening to attract the map of the abyss of the opposite world and the names of the assorted characters to be positioned within the completely different circles, it involves thoughts Shakespeare in lovethe Oscar-winning movie through which John Madden chronicles the delivery of Romeo and Juliet in his personal manner.

“BRINGING DIVINE COMEDY TO THE CINEMA, HE COULDN’T DO IT FOR ME. BUT ALIGHIERI AS A HUMAN I THINK I INTUITED IT”
Boccaccio within the heart of the scene

The third document is Boccaccio’s journey to locations in Dante’s life. That is the basic instinct of Pupi Avati: “Boccaccio saved Dante. He saved his work by copying it by hand no less than 3 times. He modified her identify: not alone anymore Comedymom Divine Comedy. He bodily prevented its destruction: convents have been forbidden to make a copy of Dante’s masterpiece, as a result of the Popes have been badly spoken of, particularly Boniface VIII and John XXII. Moreover, Boccaccio inaugurated the lengthy custom of the Lecturae Dantis, the readings of Dante in public, studying the Inferno, he was already sick, exhausted, with monumental success and nice emotion for the Florentines ».

restore the incorrect executed

The movie is impressed by the awakening of the Florentines. To partially restore the hurt executed to his illustrious fellow-citizen – exile, hunted down, items “confiscated, devastated, destroyed”, the demise sentence by beheading and burning, makes an attempt to bodily suppress him, even Cardinal Del Poggetto’s need to burn the bones to depart no hint of him – the Florentines tasked Boccaccio with bringing a sum of cash and a act of contrition to Dante’s solely surviving descendant: his daughter Antonia, who grew to become a nun by the identify of Beatrice.

Boccaccio is sick. He has scabies. He survived the plague, which killed three kids. One stays, somewhat woman named Violante, who, nonetheless, doesn’t acknowledge him as a father. He tries in useless to win her again by bringing her the bridal doll that belonged to Beatrice: nearly an omen of doom (a scene paying homage to a basic by the irregular Pupi Avati, which in 1976 The home with laughing home windows he additionally tried horror).

Mother and father and sons

Earlier than setting off in the hunt for Dante’s daughter, Boccaccio should acknowledge his personal father, who died within the horrible plague of 1348, which lowered Florence’s inhabitants to a 3rd. It’s a horrible and splendid scene: the monatto lifts the bag that covers the face of the deceased with the particular hook, till Boccaccio acknowledges the options, deformed by the evil of agony, of his personal carnal father. It is a ultimate goodbye; as a result of Boccaccio considers himself spiritually the son of Dante, “the daddy of all the thrill of my life”.
«I delegated to Boccaccio the duty of narrating Dante», smiles the director; “As a result of Boccaccio usually thinks and says the issues I believe and say.”

In Tuscany, nonetheless permeated by the “odor of the plague”, Boccaccio retraces the levels of Dante’s exile and finds the witnesses of his passage. The Casentino, the place he was acquired by a lovely, albeit goiter, girl who saved him from the Florentine assassins charged with eliminating him. The Romanian citadel, the place the one manuscript of Dante was stored (not discovered): a letter through which he asks forgiveness from the youngsters of Rely Alessandro as a result of he can’t go to his father’s funeral, as poverty disadvantaged him of weapons and horses (Boccaccio will get emotional as he reads the letter and kisses it; and even the viewer struggles to stay numb.) It was in Romania {that a} daughter of Rely Ugolino advised Dante the story of her father’s merciless demise; whereas on the Campaldino battlefield he met Bernardino Da Polenta, who advised him concerning the homicide of his sister Francesca.

the delivery of paradise

In Ravenna, Boccaccio sees the mosaic of the apse of Apollinare in Classe, with all the celebs of the celestial vault, of which Dante knew “the royal identify”. He’s advised that typically the poet was locked contained in the church all evening, ready for the primary mild of daybreak. Paradise was born there.
Lastly, Boccaccio arrives on the convent the place the poet’s daughter lives. Who refuses to obtain him: she could be very offended by the Florentines, she doesn’t wish to forgive them (“a nun who doesn’t forgive?” Boccaccio wonders). However at evening the author and the nun meet as if by likelihood, and Dante’s daughter acknowledges Boccaccio as her personal brother.
Boccaccio is Sergio Castellitto.
His interpretation is extraordinary. Very intense, even bodily. I’m not a movie critic, quite the opposite, I typically discover myself at odds with the critics, and definitely they’re proper and I’m incorrect. The essential judgment of a movie, like that of an actor, can be a technical matter and as such ought to be left to the specialists.

extraordinary actors

However cinema, like all arts, speaks to the minds and hearts of males, and as spectators we will say that Pupi Avati’s actors on this movie are extraordinary. Additionally as a result of they’re “his” actors. Gianni Cavina, for instance, performs a notary in Ravenna, a good friend of Dante’s, who’s dying; and throughout the making of the movie Gianni Cavina was truly dying, he was solely two months previous. The dying Dante is Giulio Pizzirani (the younger man is Alessandro Sperduti, who performed a really tough function with dignity). Alessandro Haber is the abbot of Vallombrosa, who recites the verses from Heaven in opposition to the Pope in a conspiratorial tone.

starvation and pleasure

Demise is the movie’s actual co-star. And right here involves thoughts one other masterpiece by Pupi Avati: magnificat, set within the holy week of the 12 months 926. Within the Center Ages, demise is approaching. He firmly believes within the afterlife as a result of he feels that he’s shut, separated from life solely by a skinny veil. And it is a public demise. No person dies alone. The demise of Bella degli Abati, mom of Dante, who is barely 5 years previous, is public and she or he wipes her mouth after kissing her mom who has simply handed away. Beatrice’s demise is public, her lovely face disfigured by smallpox: the burial scene is great, with the ladies comforting the deceased, “you aren’t alone within the grave, your sister Ravegnana is there…”. And the The demise of Dante, killed by malaria and the bitterness of a tormented and fruitful life.

One query stays. Maybe the poet’s true biography is his work.



greatness and humanity

Within the Divine Comedy they’re all there. Your inspirer, Virgil. The beloved girl, truly Beatrice. The grasp, Brunetto Latini. And the characters that Dante finds himself in. Pier delle Vigne, who dedicated suicide: and the poet additionally considered suicide throughout his exile. Rely Ugolino, who sees his “kids” (truly two sons and two grandchildren) dying of starvation; and Dante too, very poor, noticed his kids – who in contrast to his spouse adopted him into exile – undergo from starvation and hardship, due to his pleasure. And above all Odysseus, the hero of data, who renounces the sweetness of household to change into a connoisseur of the world and the human soul.

However, explains Pupi Avati, bringing the Divine Comedy It could have been an excessive amount of, too little. “It is a enterprise that many have tried,” recollects the director. “Zeffirelli. Fellini. However it’s a enterprise destined to fail. As a result of the Hell it is a absolutely resolved job. Moreover Doré, the great French illustrator, it is exhausting to go. After which productively the Hell it could be a blockbuster. It is a very massive manner of constructing cinema, which does not belong to me. However Dante as a human being I believe I guessed it.” And he gave us again, in his greatness, but additionally in his humanity.

Aug 6, 2022 (change Aug 6, 2022 | 9:35 AM)

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